As we head into the holiday season, I thought I’d share some favourite posts from the past. This was originally posted on 12 February, 2o18…
Recently I paid a visit to the Cambridge Butterfly Conservatory (Ontario, Canada) and I’m so glad I did. Besides being the perfect respite from the freezing weather, it was a magical experience being surrounded by butterflies (many more than 16). I highly recommend it. I thought I’d share a few of the photos I took…
Everyone has times when they need to be creative (even those of you who swear you were born without the creativity gene). Whether you’re trying to turn random ingredients into dinner, or are writing an epic novel, creativity is part of life. But there are times when the creative energy seems to burn out and your perspective on your current project has gone stale. If you need help getting the inspiration flowing again, here are ten things you can try to renew your creativity…
Don’t Force It: No matter how often people claim to work best under pressure, stress doesn’t produce quality results. Unless you’re aiming for quantity rather than quality, trash those arbitrary goals (1000 words every day!), take a deep breath, and relax. Don’t be afraid to walk away for a bit (whether it’s for a five-minute break, an hour-long nap, or to start a new project entirely), if you need to. It’s amazing how well the ideas come when you’re not forcing them.
Try Something New: When your comfort zone feels tapped out, it can help to look for inspiration elsewhere. If you’re a painter, try listening to (or playing) music. If you’re a writer, bake something. It doesn’t matter what you do, as long as it’s something out of your ordinary. Creativity begets creativity, and being creative in a new way can spur you on in your usual field.
Take a Walk: Interrupting desk (or wherever you do your best work) time with a walk may seem counter-intuitive, but a Stanford study found that a person walking, whether on a treadmill or out in the world, “produced twice as many creative responses” as someone sitting. The benefits continued even after the walk was over. The next time you need to brainstorm, consider doing it on the move.
Travel: Ideally this will involve foreign shores and exotic cultures, but it doesn’t have to. Go as far as you can, even if that’s just a few streets over. Check out a part of town you’ve never been to. Try a restaurant that serves a kind of food you’ve never had. Meet new people. Go exploring. Be open to new adventures and see how far you go, even if the actual distance is short.
Be Inventive: Try this exercise: take everyday items and come up with as many unusual uses for them as you can. What else can you do with hair ties, forks, or a shoe, for example? Imagine yourself in different situations (desert island, post-apocalyptic…) trying to make the most use of everything in a world with few resources. This re-inventing of common items is a form of creative thinking that can then lead to more creative breakthroughs.
Get Inspired: Enjoying other people’s work and ideas can prove inspiring. Spend time in museums, art galleries, and libraries, going to concerts, taking classes, reading new or favourite authors, or poring over your favourite websites and magazines. Even people watching can be a great source of inspiration.
Create Without a Plan: When you’re stuck, start making something, even if it’s “just” doodles or stream-of-consciousness journal entries or putting together fabrics you like. As you create aimlessly, ideas will start coming to you and you’ll likely be inspired to complete an old project or start something new.
Be Prepared: Ideas can happen anywhere, and often when you’re in the middle of something else. Make sure to always have with you a way to record all your ideas: a sketchbook, notepad, app–whatever works for you. If you have to, drop whatever else you’re doing to get everything down while it’s fresh (the Muse doesn’t linger and you will not remember later, no matter what you tell yourself!)
Work Somewhere New: A change of scenery can sometimes be all you need to light a spark. If any part of your work is portable, try taking it to a park, coffee shop, or anywhere else that appeals to you. Or try rearranging/redecorating your office/work space.
Change Your Perspective: Consider your project as though you’re someone totally different (whether someone specific, or just a generic “character”). How would that person approach the project? What might they see that you don’t, and what would they do about that? See your work through their eyes.
Have you tried any of these techniques? What did you think of them? Do you have any other suggestions to add? Please share in the comments 🙂
Phillip Pullman, author of His Dark Materials, recently wrote an essay on the responsibilities of writers (the essay appears in his new collection Daemon Voices). Four of these key responsibilities were summed up and illustrated by Nathan Gelgud, and after reading them, well, I’m not so sure I agree. Here’s the list:
Service the story.
On the surface these seem more or less reasonable, but when Pullman expands on each point I start to take some issue.
Make Money: Pullman states that we [writers] have the responsibility of “doing it as well and as profitably as we can.”
Yes and no. Of course writers should be compensated for their work–because it is work. It’s a little shocking how often writers, who spend many lonely hours creating even the shortest pieces, are expected to give their work away for nothing. And now there’s a whole slew of indie writers who routinely give away their first novels free, hoping to hook readers with cliffhanger endings and sell them the next installment in the series. These authors are selfishly making it harder for the rest of us to earn a living by devaluing all our work in the eyes of readers. But successful authors like Pullman are speaking from a rather lofty position when they announce that writers have a “responsibility” to be as profitable as possible. Easy to say for a lucky few.
Profit also shouldn’t be a writer’s main priority: that should be the writing. Making money is good and necessary (yes, those of us in the arts have as much right to earn a comfortable living as anyone else), but it shouldn’t come at the expense of the art.
Protect Language: At first this one sounds okay–until you delve into it a little more. Pullman states that those of us who use language professionally “are responsible for looking after it.” Looking after it how? Protecting it from what? Should we fight the inevitable changes that all languages undergo? Should my characters speak in stilted dialogue so that the language isn’t sullied by the more relaxed slang that most people use in casual conversation? And what language should we be preserving, exactly? Language as presented in textbooks? The language of the majority that’s spoken right now, or the language spoken twenty years ago? Fifty? A hundred? I agree–some “innovations” in language are beyond annoying (using “gift” as a verb springs immediately to mind), but language is a living, breathing, evolving thing. It’s preserved by being used, no matter how or by whom. The only truly protected language is a dead one. Maybe Pullman wants us all to write in Latin.
Have Tact: On this responsibility, Pullman explains, “We who tell stories should be modest about the job, and not assume that just because the reader is interested in the story, they’re interested in who’s telling it. A storyteller should be invisible…”
As an introvert I would love to be invisible. But since when have writers not named Anonymous ever been invisible? We’re expected to provide pictures and bios, to give interviews, go to events, interact with readers. I won’t even get started on social media. From what I’ve experienced, readers want us to share, not just about our books, but about ourselves. Still, anyone not interested can feel free to tell me to shut up. I will happily oblige.
Service the Story: I thought this would be the one responsibility I fully agreed with–until I read Pullman’s description. He says that as a “good servant,” he has to keep regular hours, stay sober, and stay in good health. Not what I was expecting. It’s great if doing these things helps Pullman write the best possible story he can, but that doesn’t work for everyone–and why should it? Those in poor health can still write, and even write brilliantly. I’m not suggesting anyone crack open a bottle of Merlot before hitting the keyboard, but writing under the (slight) influence can stimulate creativity. Service the story your own way.
Responsibility is a heavy word, and I think Phillip Pullman may have taken it too lightly. Writing is difficult enough without feeling obligated to burden oneself with someone else’s ideas of what’s necessary. What writers are responsible for is to write, to get their words out, and to do it whatever way works for them. As someone wise once said: do you, boo. Do you.
What do you think? Do you agree with Phillip Pullman? Share in the comments…
You can see the original article with Pullman’s quotes here.
I recently read an article about 11 weird habits that all writers can relate to, and I’ve got to say they weren’t wrong. Dramatically staring into space while thinking about what my characters will do next? Check. Ending up on security watch lists thanks to my online research? Check. Losing track of time, dates, and reality itself thanks to working from home immersed in a fantasy world of my own creation? Check check.
Reading the list got me thinking about my own odd habits, which I’ve decided to share. After all, as the article pointed out, writers spend a lot of time alone–why not take a moment to bond over our mutual strangeness?
My Weird Habits as a Writer:
Seeking Out Mindless Activities so I Can Think: When my hands are busy but my mind is free to wander, that’s when I come up with some of my best ideas, solve problems with my stories, or mentally write entire passages (my phone is handy–and more likely to be nearby than pen and paper–for getting it all down before I inevitably forget). Mindless activities I recommend: weeding the garden, easy crafts, cleaning the house, ironing…
Telling Myself Stories to Help Me Fall Asleep: I’ve had trouble sleeping my entire life–the one thing that’s almost guaranteed to get me to sleep is telling myself a story in bed. It’s been the same story for a while now, with minor variations. Strangely enough this repetitive storytime actually does help with my writing. Every so often I’ll get an idea for a new character, or notice themes I should explore.
Watching (a lot of) TV: Sometimes it’s background noise that works a lot like any other mindless activity (see above). Sometimes it’s inspiring, giving me ideas to consider. Sometimes it’s instructive, helping me with pacing, or seeing aspects to storytelling that do or don’t work. Sometimes it’s just entertaining, which is also important.
I’ll leave it there, although there are more (so many more). What weird habits do you have as a writer (or in general)? Share your weirdness…
(Note: This is a re-post from 19 February 2018. If you’re looking for something new to read, how about my free short story “Blood Magic”: https://www.smashwords.com/books/view/816146 or my novel Love Lies Bleeding, available in paperback and e-book at most online booksellers.)
Imagine this: you’ve written the first (or second, or third…) draft of a novel and it’s going well. You’re editing and rewriting at a good pace, happy with your progress. But suddenly the realization hits you that a major plot point of your book is all wrong. For whatever reason a part of your story–maybe even one the entire book hinges on–no longer works. Now what?
This happened to me recently. I wasn’t happy with the ending of my current book and I wasn’t sure why. Then the crushing awareness that it was all wrong and had to go. Not only did I have no idea how to change it, but any changes I did make would have major repercussions for the next book too. Cue the panic.
I think it’s safe to say most writers experience this situation at some point, but if it happens to you it can be disheartening to the point of making you want to give up. If you’re suffering a plot fail, don’t worry. Despite the initial panic and frustration, there are things you can do to help you through it.
Take a Break: It doesn’t need to be a long break. Spend a few hours or a few days focusing on other things. Give your mind a rest from writing while your subconscious keeps thinking about it. Before you know it you’ll be coming up with new ideas and solutions without even trying.
Brainstorm: If the thought of ignoring your writing (even temporarily) stresses you, then brainstorming might be more your style. Try these brainstorming techniques for writers and keep working on the issue until you figure it out.
Think About It: Is there actually a problem with your story? Sometimes writers are convinced their book is terrible when the real issue is anxiety or insecurity. Maybe your plot needs only minor tweaking–or maybe it’s fine as is. Take a deep breath and a step back before considering whether the problem is your plot or your perception.
Talk it Out: Find someone you trust and tell them about it. Explain your concern with what you’ve already written and see what they think. Getting a second (or third) opinion can be really helpful, and sometimes simply saying things out loud is enough to trigger solutions. Don’t forget writers’ groups and forums–they can be invaluable sources of advice and support.
Hire an Editing Service: Editors can do more than check your spelling. Many offer services such as story consultation or manuscript critique. If you’re stuck and nothing else is helping, professional help might be the key.
As for myself, a combination of taking a break, thinking about it, and talking it out helped me overcome my plot issues. My book is still a long way from being done, but at least it’s back on track.
How do you get through when your plot is causing you problems? Share in the comments.