10 Stunning Writers’ Homes

I love old houses (old buildings in general, actually). While I can appreciate the practical benefits of a new house, they leave me, well, bored. Old houses have style. They have personality. They have soul. Throw in a resident writer and you’ve got a house worth living in (or at least visiting). Here are 10 writers’ houses that are worth checking out…

WH Thomas Hardy

Higher Bockhampton, Dorset, England: The cottage where Thomas Hardy was born. I love the thatched roof and garden.

WH Agatha Christie

Galmpton, Devon, England: Greenway Estate, home to Agatha Christie, was designated a World Heritage Site in 2004. Christie set several of her novels in the area.

WH Eugene Oneill

Danville, California, USA: Eugene O’Neill wrote The Iceman Cometh and Long Day’s Journey Into Night at Tao House.

WH Virginia Woolf

Rodmell, East Sussex, England: Not only is Monk’s House where Virginia Woolf worked on Mrs. Dalloway, it was also where she hosted the Bloomsbury Group.

WH Emily Dickinson

Amherst, Massachusetts, USA: With a house like this, I can understand why Emily Dickinson was a recluse. The poet didn’t spend her entire life at the Homestead, but she was born here, and after moving back as a young woman spent the rest of her life here.

WH Alphonse Daudet

Draveil (former village of Champrosay), France: Can I just go ahead and move into Alphonse Daudet’s home, located a few kilometres south of Paris? Daudet finished Letters from My Windmill here, and also held famous weekly gatherings of the luminaries of the French arts scene (Zola, Proust & Rodin were among the regulars).

WH George Sand

Nohant, Indre, France: More gorgeous French style at George Sand’s home. Sand wrote many of her books here, as well as hosting artists, musicians, and writers (Frédéric Chopin lived, and composed, here for several years). The house has been classified as a National Historic Monument of France.

WH Mark Twain

Hartford, Connecticut, USA: Mark Twain wrote The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn in this house’s billiards room, which also doubled as his study.

WH Edith Wharton

Lenox, Massachusetts, USA: Edith Wharton’s grand home, The Mount, was where she wrote most of her novels, and where she presumably implemented the advice from her first book (co-authored with Ogden Codman), The Decoration of Houses. 

WH Louisa May Alcott

Concord, Massachusetts, USA: Orchard House, where Louisa May Alcott wrote Little Women.

What’s your favourite writer’s home? Share in the comments…

Further Reading:

Orchard House

The Mount

The Mark Twain House and Museum

George Sand House

Alphonse Daudet House

Emily Dickinson Museum

Monk’s House

Eugene O’Neill National Historic Site

Thomas Hardy Cottage

Architectural Digest

KQED Arts

New England Historical Society

Air France

Boston Globe

10 Ways to Get Your Creativity Flowing

analysis blackboard board bubble
Photo by Pixabay on Pexels.com

Everyone has times when they need to be creative (even those of you who swear you were born without the creativity gene). Whether you’re trying to turn random ingredients into dinner, or are writing an epic novel, creativity is part of life. But there are times when the creative energy seems to burn out and your perspective on your current project has gone stale. If you need help getting the inspiration flowing again, here are ten things you can try to renew your creativity…

Don’t Force It: No matter how often people claim to work best under pressure, stress doesn’t produce quality results. Unless you’re aiming for quantity rather than quality, trash those arbitrary goals (1000 words every day!), take a deep breath, and relax. Don’t be afraid to walk away for a bit (whether it’s for a five-minute break, an hour-long nap, or to start a new project entirely), if you need to. It’s amazing how well the ideas come when you’re not forcing them.

Try Something New: When your comfort zone feels tapped out, it can help to look for inspiration elsewhere. If you’re a painter, try listening to (or playing) music. If you’re a writer, bake something. It doesn’t matter what you do, as long as it’s something out of your ordinary. Creativity begets creativity, and being creative in a new way can spur you on in your usual field.

Take a Walk: Interrupting desk (or wherever you do your best work) time with a walk may seem counter-intuitive, but a Stanford study found that a person walking, whether on a treadmill or out in the world, “produced twice as many creative responses” as someone sitting. The benefits continued even after the walk was over. The next time you need to brainstorm, consider doing it on the move.

Travel: Ideally this will involve foreign shores and exotic cultures, but it doesn’t have to. Go as far as you can, even if that’s just a few streets over. Check out a part of town you’ve never been to. Try a restaurant that serves a kind of food you’ve never had. Meet new people. Go exploring. Be open to new adventures and see how far you go, even if the actual distance is short.

Be Inventive: Try this exercise: take everyday items and come up with as many unusual uses for them as you can. What else can you do with hair ties, forks, or a shoe, for example? Imagine yourself in different situations (desert island, post-apocalyptic…) trying to make the most use of everything in a world with few resources. This re-inventing of common items is a form of creative thinking that can then lead to more creative breakthroughs.

Get Inspired: Enjoying other people’s work and ideas can prove inspiring. Spend time in museums, art galleries, and libraries, going to concerts, taking classes, reading new or favourite authors, or poring over your favourite websites and magazines. Even people watching can be a great source of inspiration.

Create Without a Plan: When you’re stuck, start making something, even if it’s “just” doodles or stream-of-consciousness journal entries or putting together fabrics you like. As you create aimlessly, ideas will start coming to you and you’ll likely be inspired to complete an old project or start something new.

Be Prepared: Ideas can happen anywhere, and often when you’re in the middle of something else. Make sure to always have with you a way to record all your ideas: a sketchbook, notepad, app–whatever works for you. If you have to, drop whatever else you’re doing to get everything down while it’s fresh (the Muse doesn’t linger and you will not remember later, no matter what you tell yourself!)

Work Somewhere New: A change of scenery can sometimes be all you need to light a spark. If any part of your work is portable, try taking it to a park, coffee shop, or anywhere else that appeals to you. Or try rearranging/redecorating your office/work space.

Change Your Perspective: Consider your project as though you’re someone totally different (whether someone specific, or just a generic “character”). How would that person approach the project? What might they see that you don’t, and what would they do about that? See your work through their eyes.

Have you tried any of these techniques? What did you think of them? Do you have any other suggestions to add? Please share in the comments 🙂

 

 

 

Writers and Cats

black cat holding persons arm
Photo by Ruca Souza on Pexels.com

Writers are known to have an affinity for cats, so much so that books have been written on the topic (the latest is Writers and their Cats by Alison Nastasi). As a cat lover, I get the appeal. Cats are good company, generally unobtrusive, frequently entertaining, and the perfect distraction when you need a few minutes away from the keyboard. If you’re lucky enough to have a lap cat, they’ll make sure you get work done by helpfully pinning you in place for hours (and they keep you warm too). My home would feel pretty sad and empty without my three furbabies.

Cats can also provide literary inspiration, especially to poets. T.S. Eliot wrote an entire book about them. Jorge Luis Borges wrote these words:

Mirrors are not more silent
nor the creeping dawn more secretive;
in the moonlight, you are that panther
we catch sight of from afar.
By the inexplicable workings of a divine law,
we look for you in vain;
More remote, even, than the Ganges or the setting sun,
yours is the solitude, yours the secret.
Your haunch allows the lingering
caress of my hand. You have accepted,
since that long forgotten past,
the love of the distrustful hand.
You belong to another time. You are lord
of a place bounded like a dream.

-“To a Cat” by Jorge Luis Borges

It seems that what the ancient Egyptians started, writers are happy to carry on. I know I am.

Alice-Walker cats
Alice Walker
s king cats
Stephen King
ann m martin cats
Ann M. Martin
hemingway cats
Ernest Hemingway
colette cats
Colette
n gaiman cats
Neil Gaiman
le guin cats
Ursula K. Le Guin
murakani cats
Haruki Murakani

Do you have cats? Tell me about them in the comments. Tell me about your other pets too!

Read More:

7 Famous Writers and Their Cats

Iconic Writers and Their Cats

10 Writers and Their Cats

Famous Writers and Their Cats

16 Famous Writers and Their Cats

The 4 Responsibilities of Writers…Maybe

phillip pullman

Phillip Pullman, author of His Dark Materials, recently wrote an essay on the responsibilities of writers (the essay appears in his new collection Daemon Voices). Four of these key responsibilities were summed up and illustrated by Nathan Gelgud, and after reading them, well, I’m not so sure I agree. Here’s the list:

  1. Make money.
  2. Protect language.
  3. Have tact.
  4. Service the story.

On the surface these seem more or less reasonable, but when Pullman expands on each point I start to take some issue.

Make Money: Pullman states that we [writers] have the responsibility of “doing it as well and as profitably as we can.”

Yes and no. Of course writers should be compensated for their work–because it is work. It’s a little shocking how often writers, who spend many lonely hours creating even the shortest pieces, are expected to give their work away for nothing. And now there’s a whole slew of indie writers who routinely give away their first novels free, hoping to hook readers with cliffhanger endings and sell them the next installment in the series. These authors are selfishly making it harder for the rest of us to earn a living by devaluing all our work in the eyes of readers. But successful authors like Pullman are speaking from a rather lofty position when they announce that writers have a “responsibility” to be as profitable as possible. Easy to say for a lucky few.

Profit also shouldn’t be a writer’s main priority: that should be the writing. Making money is good and necessary (yes, those of us in the arts have as much right to earn a comfortable living as anyone else), but it shouldn’t come at the expense of the art.

Protect Language: At first this one sounds okay–until you delve into it a little more. Pullman states that those of us who use language professionally “are responsible for looking after it.” Looking after it how? Protecting it from what? Should we fight the inevitable changes that all languages undergo? Should my characters speak in stilted dialogue so that the language isn’t sullied by the more relaxed slang that most people use in casual conversation? And what language should we be preserving, exactly? Language as presented in textbooks? The language of the majority that’s spoken right now, or the language spoken twenty years ago? Fifty? A hundred? I agree–some “innovations” in language are beyond annoying (using “gift” as a verb springs immediately to mind), but language is a living, breathing, evolving thing. It’s preserved by being used, no matter how or by whom. The only truly protected language is a dead one. Maybe Pullman wants us all to write in Latin.

Have Tact: On this responsibility, Pullman explains, “We who tell stories should be modest about the job, and not assume that just because the reader is interested in the story, they’re interested in who’s telling it. A storyteller should be invisible…”

As an introvert I would love to be invisible. But since when have writers not named Anonymous ever been invisible? We’re expected to provide pictures and bios, to give interviews, go to events, interact with readers. I won’t even get started on social media. From what I’ve experienced, readers want us to share, not just about our books, but about ourselves. Still, anyone not interested can feel free to tell me to shut up. I will happily oblige.

Service the Story: I thought this would be the one responsibility I fully agreed with–until I read Pullman’s description. He says that as a “good servant,” he has to keep regular hours, stay sober, and stay in good health. Not what I was expecting. It’s great if doing these things helps Pullman write the best possible story he can, but that doesn’t work for everyone–and why should it? Those in poor health can still write, and even write brilliantly. I’m not suggesting anyone crack open a bottle of Merlot before hitting the keyboard, but writing under the (slight) influence can stimulate creativity. Service the story your own way.

Responsibility is a heavy word, and I think Phillip Pullman may have taken it too lightly. Writing is difficult enough without feeling obligated to burden oneself with someone else’s ideas of what’s necessary. What writers are responsible for is to write, to get their words out, and to do it whatever way works for them. As someone wise once said: do you, boo. Do you.

What do you think? Do you agree with Phillip Pullman? Share in the comments…

You can see the original article with Pullman’s quotes here.

Interview with Rita Lee Chapman

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I’m pleased to post my first author interview, with mystery author Rita Lee Chapman (http://ritaleechapman.com). Welcome, Rita!

Thank you, Aspasia, for inviting me to your blog. It is lovely to have this opportunity
to talk to your readers.

Thanks for being here. Why don’t you start by telling us a bit about yourself?

I have lived most of my life in Australia, but I was born in London and migrated to
Australia in my early twenties. Before I retired I had started writing but never finished a novel. Of course in those days it was written on a typewriter so it required much more planning in terms of the storyline and also the formatting. It is so easy now with computers to turn paragraphs around or even to move whole chapters. I find the editing and formatting much harder and more time-consuming than the writing.

Editing is a chore for me, as well (I think many authors would agree). When did you write your first book?

It wasn’t until I retired and moved from Sydney to Queensland that I finished my first book, Missing in Egypt. This became Book 1 in the Anna Davies Mystery Series, followed by Missing at Sea and Missing in London. In between I wrote Dangerous Associations, a crime mystery, and Winston – A Horse’s Tale, one for horse lovers from teenagers upwards.

You’ve accomplished a lot since you retired. What do you do when you’re not writing?

I play tennis, walk on our lovely beaches or around the river or lakes, and swim. My husband and I are lucky to have a great circle of friends through our tennis club and spend many hours socialising, taking it in turns to cook for each other. We also enjoy travelling around Europe and this year drove around the South of France exploring the Loire Valley, the Dordogne, La Rochelle, Nice, Marseille and most places in between! Horses are still my passion, although I no longer ride.

Wow–can you take me on your next vacation? Where can readers find your books?

Missing_in_Egypt_Cover

Missing in Egypt
Book 1 in the Anna Davies Mystery Series

Amazon
Large Print
Smashwords

Missing At Sea Cover

Missing at Sea
Book #2 in the Anna Davies Mystery Series

Amazon
Large Print
Smashwords

Missing_in_London_Cover_

Missing in London
Book #3 in the Anna Davies Mystery Series

Smashwords
Amazon
Large Print

 

Dangerous Associations:

Amazon
Smashwords
Large Print

 

Cheers, Rita, for being part of my blog and giving my readers a chance to get to know you! Find out more about Rita and her books here.