Centuries-old Mara is dying a slow death when she meets Lee, a young man whose life has never belonged to him. Thrown together, they’re forced to fight those who would destroy them and survive a slew of enemies they never expected, even as Mara falls into a downward spiral of delusion and obsession. Will she make a devil’s deal to save both their souls? With pasts like theirs, can they ever have a future?
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Given that libraries have kept cats as far back as Ancient Egypt, it’s probably safe to assume that bookstores have had resident cats for as long as there have been bookstores. Besides stopping rodents from destroying the books, cats are a soothing presence to (non-allergic) staff and visitors, act as a store’s (or library’s) public face, and add life to what can be a sterile environment. On top of all that, cats and book people are simply a natural combination. Here’s a small sampling of the bookstore cats who keep books safe and hearts warmed…
“Magnificent” Spike lives at Left Bank Books in St. Louis, Missouri. Spike has his own page here, where you can find out fun facts about him, like his one-word description mentioned above.
Parrot, from Pegasus Books in Oakland, California, may be grumpy but she still gets fan mail.
When I was much younger and just beginning to realize that I wanted a future as a writer, I had starry-eyed notions of a major publisher recognizing my talent and jumping to offer me a contract (with a generous advance, of course). Yeah, not so much. Instead I have a pile of rejection letters, mostly of the form variety, some with encouraging words about how my writing is good (just not quite right for them). I had to learn the hard way that being a good writer isn’t enough to get published. In fact, sometimes you don’t even have to be able to write at all as long as you have a big enough name to guarantee sales. Depressing doesn’t even begin to cover it.
A recent article in the Washington Post shares how Madeleine L’Engle and other well-known writers have suffered rejection over their careers. So how to deal with it when it happens to you?
Like L’Engle, stick to your vision. Don’t compromise your work to suit the industry’s sometimes narrow definitions of salable. Your readers are out there, even if your book is genre defying and a little odd (something readers are a lot more open to than publishers).
Like J.K. Rowling, keep persisting. Just because 12 publishers reject your book doesn’t mean 13 won’t be your lucky number. [Edited to add: Also like J.K., if you’re a woman, you might want to submit under initials or a gender neutral name instead of an obviously feminine name–especially if you don’t write romance or “women’s fiction.” Sexism in publishing is real, and I wish I’d realized that years ago.]
Like Beatrix Potter, do it yourself. Self publishing has been around a long time and is only getting bigger. When traditional publishers have let you down (or you don’t even want to bother with them in the first place), don’t be afraid to go the indie route (which is what I did with my dark fantasy novel, Love Lies Bleeding–and what I will also be doing with the new novel I’m working on).
Whatever you do, don’t let rejections get to you. They are common, they are inevitable, and they don’t reflect the quality of your work or you as a person. Just remember: a good story will find a way.
How do you deal with professional rejection? Share in the comments.
[This was originally posted on 13 March 2018. Re-posted with minor edits.]
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