I took part in another writing collaboration with Peter Wyn Mosey:
She saw him. She hadn’t been expecting it. He was walking along the street, hands in his coat pockets, face turned up to the bright autumn sun. He looked happy. Happier than anyone should look. Happier than anyone had a right to in this world.
They left the other vampires with the humans. Mara wanted to call out, to tell them to get away. But she stared at Omar and Wallace grinning at their prey and her voice fled. There was no help for them. There was no help for any of them.
Mara, Dominic, and their vampire associates arrive in Marseille, France in 1909, only to find another predator already on the loose. My new FREE short story is set in the Love Lies Bleeding universe and was inspired by real events.
Come back Saturday for the title and cover reveals, and to pre-order this new FREE story!
(PS: In the meantime, don’t forget to download my other FREE short story Blood Magic, and while you’re at it, pick up Love Lies Bleeding too, available in paperback or e-book.)
New guest post I wrote on Druid Life. Take a look…
I blame Rick Riordan (Percy Jackson & the Olympians) and Neil Gaiman (American Gods).
All right, I don’t really blame them, but they and a host of other fiction writers and TV showrunners aren’t helping. By turning the Gods into mere characters, showing no real regard for the beings that inspired and populate their stories, they’re setting the stage… (Read more)
Although readers are generally interested in a writer’s final product, it can be interesting to see the early process. Drafts can be funny, surprising, and illuminating. For example…
Joseph Conrad’s preface to Victory:
Conrad had trouble deciding on the right wording to convey his meaning in this preface. He was hesitant about using the word “victory” in relation to World War 1, and he couldn’t decide whether he was worried about “misleading,” “deceiving” or another word I can’t make out (any guesses?) the public.
Sylvia Plath’s outline for The Bell Jar:
This outline was written two years before The Bell Jar was published. Since no copy of the manuscript draft survives, this outline is the only evidence of Plath’s original intentions for the book. Apparently Plath had planned a “coda” of two extra chapters at the end of the book. There are also smaller changes, such as the character of Joan starting out as Jane.
Marcel Proust’s draft of Remembrance of Things Past:
Shirley Hazzard’s draft for The Great Fire:
Both Proust and Hazzard show that, no matter the time period, the first draft is never the final draft. How either could even decipher their edits is a mystery.
Mark Twain’s notebook:
Twain, pondering the concept of a doctor writing a play, jotted down several potential character names, including Siphillis Briggs, Asphyxia Beedle, and Typhoid Billings.
Would you want to see your favourite author’s early drafts and notes? Share in the comments…