Creativity – Aspasía S. Bissas

26/05/2023

World Dracula Day: Vintage Swag

It’s that time of year again when we pay homage to the monster that brought vampires to the masses, the Count himself: Dracula.

As you can imagine, Dracula has sparked imaginations countless time since Bram Stoker’s novel was first published in 1897. The number of onscreen adaptations alone could keep you occupied for a lifetime. But today we’re focusing on a few of the products that have made it to market over the years– apologies if you have the sudden urge to start scouring flea markets and online ads…

Dracula Cha-Cha, 1960

The cover art alone makes this album by Bob McFadden worth seeking out…

The Dracula Cookbook, 1978

Featuring “authentic Transylvanian recipes” by Marina Polvay. Not gonna lie– I want a copy.

(Someone posted a few shots of the book on instagram, including a recipe for Veal Roast. Take a look here.)

The Dracula Cookbook of Blood, 1993

If you’re looking for something more along the lines of what Dracula himself would eat, Ardin C. Price’s recipes all feature blood. I wouldn’t say no to this one, either (although I don’t think I’d make any of the recipes.)

(There are also shots of this book on instagram, including a recipe for Totoga– Roasted Pig Organs. Take a look here.)

Genuine Soil from Dracula’s Castle, 1979

One gram of soil in a coffin amulet, and it comes with a certificate of authenticity. Just in case Dracula needs to crash at your place and doesn’t have any native soil on him.

Dracula Statuette, 1930s to 1940s

Commissioned by Bela Lugosi himself to give to friends, it’s rumoured that only 25 were made, and of those only a few are left. Happy hunting!

Dracula: A Toy Theatre, 1979

Based on Edward Gorey’s original designs for the set of the 1977 theatre adaptation of Dracula. An updated version of the toy theatre is still in print.

I Vant to Bite Your Finger: The Dracula Game, 1979

I actually got to play this once when I was a kid, and I’ve got to say it’s pretty fun to get a vampire bite– even if it is only red marker dots on your finger. There are other Dracula games out there, but there might not be any better ones.

Dracula Model Kit, 1962

Made by the Aurora company, these were meant to be assembled and painted. Some people like model planes, some like model monsters.

Dracula Dolls, 1980s to 1990s

These are probably the easiest items to find; it would be fun to collect as many variations as possible.

Do you have any of these? Which would you want to get if you could? Share in the comments…

Cheers,

Aspasía S. Bissas

The Count isn’t the only fanged fiend out there– download my books now and meet some new monsters…

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13/05/202313/05/2023

And the Award for Best Effects Makeup Goes To…

This is Doug Jones:

You might not recognize his face, but you probably know him from such roles as…

He also plays Baron Afanas on What We Do in the Shadows. I’ve raved before about how good his makeup is when we first see him, but it gets even better.

Spoilers Ahead

When we’re first introduced to Baron Afanas, he’s a looming figure– a terrifying, ancient vampire coming to check on the progress of Nandor and crew in conquering the New World for vampire-kind. When his coffin opens and we get a glimpse of the Baron, you’d swear you’re looking at a prop, not a person. When he moves, its a thing of beauty; the makeup and prosthetics move with him naturally. Although WWDitS is a comedic show, there’s nothing cheesy or jokey about how the Baron looks. It’s amazing to watch.

Later the Baron is burned by sunlight and apparently dies. The vampires bury him in the garden and move on. Weeks later they hear a voice coming from his grave, and dig up the very-much-alive Baron, although there’s not much of him left, and what is left is pretty crispy. The makeup is different, but just as good. He looks exactly what you’d expect a charred partial vampire to look like. I think the reason he always looks so good is because the focus is on practical effects and makeup instead of CGI. I wish more effects departments would do the same.

Finally the Baron is healed in time for Nandor’s wedding. Not only healed, but also rejuvenated– he’s back to looking like himself in peak condition (much to Nadja and Lazslo’s delight). The makeup is a lot lighter, but just as skilfully applied. The Baron looks creepy but also compelling. If you saw him on the street, you’d instantly know he was a vampire. I can’t wait to see what they do with him next.

Of course the Baron wouldn’t be half as interesting without Jones’s performance. He’s a talented and nuanced actor, and you know you’re going to get something good when you see his name in the credits.

Speaking of credits, here are the members of the makeup department, a group that too often go unnoticed (I copied it from IMDb; clicking on individual names will take you to their IMDb profiles):

Daniel Curet	…	hair department head
Randy Daudlin	…	special makeup effects artist
Suzanne Diaz	…	makeup department head (as Suzy Diaz)
Emma-Lee Hilton	…	Prosthetic lab technician / prosthetic lab technician/artist
Chris Lyons	…	special effects teeth
Carol Mitchell	…	hair stylist
Lukas Press	…	assistant hair stylist
Luke Stalker-Switzer	…	make-up effects
Karlee Morse	…	prosthetic lab technician (uncredited)
Ken Niederbaumer	…	key makeup artist (uncredited)
Brad Proctor	…	special makeup effects technician (uncredited)

This will probably be my last What We Do in the Shadows post, unless someone has a suggestion for a topic they’d like to see? Otherwise, let me know what you think of Baron Afanas, or any other vampire. Who do you think looks most authentic? Share in the comments…

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