New guest post I wrote on Druid Life. Take a look…
I blame Rick Riordan (Percy Jackson & the Olympians) and Neil Gaiman (American Gods).
All right, I don’t really blame them, but they and a host of other fiction writers and TV showrunners aren’t helping. By turning the Gods into mere characters, showing no real regard for the beings that inspired and populate their stories, they’re setting the stage… (Read more)
Chances are when you think of vampires you’ll think of Dracula, Blade, Angel, or any of the fanged creatures-of-the-night that populate modern culture, including Mara from Love Lies Bleeding. The vampires we’re familiar with are (generally) human looking, powerful, often charismatic and attractive, with a thirst for blood and a dislike of stakes. But that wasn’t always the case. History and folklore are full of vampires that are nothing like what we’ve come to expect. Here are five examples…
Lamaštu (or Lamashtu)
Depicted as having a lion’s head, donkey’s teeth, bare breasts, a hairy body, bloodstained hands with long fingers and nails, and taloned bird’s feet, Lamaštu was an evil Goddess of ancient Mesopotamia who preyed on newborns and fetuses in order to suck their blood (among other things). Miscarriages and sudden deaths of infants were blamed on her. Pregnant women could ward her off with amulets, an incantation, or offerings of centipedes and brooches. The offerings were meant to distract Lamaštu, which was a common way of thwarting vampires.
In the Sinhalese culture of Sri Lanka, the Riri Yaka, or “Blood Demon” has an eternal thirst for blood. He’s usually portrayed as being a blood-smeared, ape-faced, four-armed man with a mouthful of decomposing human flesh. He haunts graveyards, crematoriums, and the dying. He can also possess people and cause illness, usually of the blood. People possessed by Riri Yaka are pale, listless, and anemic; a ritual ceremony must be performed to cure them.
Seemingly a normal woman during daylight hours, once the sun goes down the Penanggalan detaches her fanged head and organs from her body in order to fly around the Malaysian countryside in search of the blood of newborns and women who have just given birth. Those who survive being fed on inevitably contract a wasting illness, another common theme in vampire myths. Penanggalan will often disguise themselves as midwives, but can be recognized by their characteristic vinegar smell (they keep a vat of vinegar in their home in which to soak their entrails) and odd behaviour. The best way to get rid of a Penanggalan is to surround doors and windows with thorny branches and thistles, so that they will become entangled and trapped. If found, their hollow bodies can also be stuffed with broken glass or destroyed, which will kill off the head.
Daughter (or possibly granddaughter) of the Greek God Poseidon, Lamia was Queen of Libya and Zeus’s lover before being transformed by his wife, Hera, into a creature that was part woman, part sea monster, and wholly deadly. Described as either stunningly beautiful or hideously ugly, Lamia generally had a woman’s face and serpent-like features. In retaliation for Hera killing her children, Lamia began murdering other people’s children by sucking their blood. Over time she was also said to seduce and devour men. Lamia had the power of prophecy, as well as shape-shifting abilities and magical powers. Eventually the single woman became pluralized into a race of vampiric monsters, the Lamiae. The origins of Lamia may lie in Mesopotamia’s Lamaštu. A modern Greek folk saying explains the sudden death of infants and young children as “[the child was] strangled by Lamia.”
The Mapuche and Chilote of southern Chile have a legend of a shapeshifter that petrifies victims (both human and animal) with its stare in order to then drain their blood. The peuchen can take any form, although it prefers that of a giant, bat-winged flying snake. Only a machi (medicine woman) can defeat it. There may be a connection between the myth of the peuchen and that of the chupacabra.
Have you heard of these vampires? Which do you think is scariest? Tell me in the comments.
If you want more vampires right now, download Blood Magic free!
Another tag snagged from the lovely blog A.M. Molvik’s Ramblings 🙂 If you’ve ever wondered about what it’s like to be a writer (or what I do), this post is for you.
1. What type of writing do you do?
Over the years I’ve written pretty much everything, from magazine articles to poetry to blog posts to novels. If I had to choose only one type, though, it would be novels. I have a lot of stories inside me, waiting to come to life.
2. What genres/topics do you write about?
My writing is a mix of literary fiction, gothic fiction, and fantasy, with hints of horror and magical realism. My clouds tend to have dark linings.
3. How long have you been writing?
I started when I was about six and never really stopped (although there were a few long breaks).
The first story I wrote (when I was around six) was a tale of woe about a flower that doomed anyone (in this case, Mary, Queen of Scots, although I have no idea how I knew about her) who picked it. Clearly, my literary influences started early in my career. I also drew said flower with a pen and coloured it with a pink highlighter. Side note: I still have a particular fascination with Tudor history, although I haven’t written about it since.
6. Why do you write?
I don’t feel I have much of a choice. That’s what I love, it’s what I’m good at, and it’s what I feel I was meant to do. As already mentioned, I have stories that need to get out.
7. How do you find time to write?
You find time for the things that are important to you. If someone “can’t find the time” to write (or to do anything else), it really doesn’t matter that much to them.
8. When and where is the best time/place to write?
For me, the best times are in the morning and late at night. Where doesn’t really matter as much, as long as there isn’t too much noise.
9. Favorite foods/drinks while writing?
It used to be iced coffee; unfortunately I’ve had to cut it out. Between the sugar and the caffeine, it wasn’t doing me any favours (alas). If I do drink anything now, it’s tea, but mostly I don’t eat or drink while I work (I have no idea how those crumbs got all over my keyboard).
10. Your writing playlist?
Silence. I’ve tried to listen to music while I work, but I can’t. Music interferes with rhythm and the lyrics get into your head, unconsciously influencing how and what you write. I don’t know how anyone can concentrate with music (or the TV) on–it’s some kind of super power.
11. What do friends/family think of you writing?
I think it ranges from “that’s cool” to “whatever” to “but what does she do all day?” My partner is completely supportive, though, which is what really matters.
12. What parts of writing do you enjoy the most?
I love it when the words come together and flow out of you. Best feeling in the world. (It’s also pretty satisfying when you’re stuck and finally figure out the perfect solution). That’s why first drafts are fun and after that, it’s work .
13. Parts of writing you find challenging?
I wish I could be one of those writers who can get a book out every year (speaking of super powers). I’ve got a limit on how much I can write or edit in a day before my brain turns to mush. Hopefully the results are worth the wait.
14. What do you write with/on?
First drafts are usually by hand. The editing starts as I transfer the manuscript to my laptop, where I use MS Word.
15. How do you overcome writer’s block?
I’ll think/meditate about it. I’ve mentioned elsewhere that I love anything that keeps my hands busy while freeing my mind; that’s how I do a lot of my writing, including overcoming writer’s block. Sometimes I’ll also talk about it with my partner–he’s pretty great at helping me figure things out.
16. How do you motivate yourself to write?
Deadlines are motivating. My anxiety is highly motivating (it gets worse if I don’t write for a couple of days). Mostly having a story I need to get out motivates me 🙂
17. Author(s) who inspired you to become a writer?
I think the existence of books inspired me to become a writer more than any specific author. My love of stories started early, so maybe I should give the credit for my current vocation to Aesop, Hans Christian Andersen, Charles Perrault, and the Brothers Grimm.
19. Writing goals this year?
Aiming to finish my next novel and get it ready for publication (follow me to make sure you don’t miss any news or updates).
20. Best advice you’ve gotten as a writer?
Never to give up (I’ve heard that from a few people). Stephen King’s advice to “kill your darlings” isn’t bad either.
What do you think? Do you have any questions or comments? What are some of your thoughts on the writing process? Share in the comments…
Considering pretty much everyone has handled a book at least once, it’s funny that most of us aren’t fully versed in the names for their various parts. While you can probably confidently point out a cover or a page, did you know there’s a word for the blank space between pages? What do you call that doodle on a book’s spine? And how does a book have a spine, anyway? Today we get an lesson on the anatomy of books…
Do you have other words about books to share? Let me know in the comments. Find out more about the history of these words here.
From the start, women writers have had to endure an unending slew of sexist attitudes and commentary. Pick a writer and she’ll tell you about comments claiming women aren’t serious writers, that they don’t write “important” works, and aren’t worthy of awards or acclaim. Women writers can tell you about how there is a constant assumption that they must write romance or “chick lit,” that they don’t write anything a man would want to read, that they can’t write certain genres, or that women’s fiction is fluffy and sentimental. We can tell you about how we’re questioned in a way male authors never are about work-life balance, how we can possibly work and take care of our children and homes and partners. The list goes on. And when we dare complain about any of it, we’re accused of being “whiny” and “privileged.”
Sci-fi author Gérard Klein about Ursula K. Le Guin: ” … her art is the product of ‘a happily resolved childhood, an active feminine genitality, and her intellectual indebtedness to her historian husband.'”
Audience member at a reading, to Julia Fierro: “Who is taking care of your children?”
A reader, commenting about The Gospel of Loki by Joanne Harris: “The novel is ‘capitalising on the fandom of Tom Hiddleston.'”
Author David Gilmour, on not teaching women authors in his class at the University of Toronto: “I’m not interested in teaching books by women. Virginia Woolf is the only writer that interests me as a woman writer, so I do teach one of her short stories. But once again, when I was given this job I said I would only teach the people that I truly, truly love. Unfortunately, none of those happen to be Chinese, or women.”
Author V.S. Naipaul about Diana Athill: “I read a piece of writing and within a paragraph or two I know whether it is by a woman or not… My publisher, who was so good as a taster and editor, when she became a writer, lo and behold, it was all this feminine tosh. I don’t mean this in any unkind way.”
Interviewer to Victoria A. Brownworth: “I don’t think women should be writing about this kind of violence.”
A lecture attendee to Joanne Freeman: “How does your husband handle your wit?”
A one-time boss of hers, about Clarice Lispector: “She was ‘a smart girl, an excellent reporter, and, in contrast to almost all women, actually knows how to write.'”
Random people, to Lis Harris: “Oh, you’re a serious writer? But you’re so pretty!”
N.S. Willis, to his sister, Fanny Fern: “[…he stated that] her writing was ‘too vulgar’ and she should continue with her needlework instead.”
To these I’ll add a quote from Charlotte Brontë, which she wrote in response to harsh reviews. This is (or should be) the unofficial motto of women writers everywhere:
“It would take a great deal to crush me.”
The problem of sexism in publishing is improving–the fact that it’s finally being acknowledged is an important first step. Will it be solved anytime soon? As with other forms of inequality, probably not in my lifetime (although I live in hope). But there are things everyone can do to help get us there:
Read books by women (fiction, nonfiction, poetry, comic books, essays, articles…)
Review books by women (whether on a book site, store site, social media, or your own blog)
Buy books by women (let publishers know what you want to read)
If you want to start right now, you can download my free story Blood Magic. One reviewer wrote about it: “A sign of the times, this short story should be folded up, put inside an envelope, and slid inside the goody bags ready for the male attendees of the next Golden Globe Awards.”
Happy International Women’s Day. Show your support by reading more women.