Anyone who knows me knows I love cats (all animals, actually, but cats are the only ones who get to boss me around). Cats and writers are a natural combination (see my post about it here), but it turns out cats and books are also perfect together. Maybe they like the cave-like atmosphere of being tucked into a shelf or surrounded by piles of books; maybe it’s the intriguing way the pages move, or the convenient surface for lounging. Maybe cats like books because we like books (and we clearly have good taste since we also like cats). Or maybe their reasons will ever remain mysterious, which is how cats like it. Whatever the appeal, cats love books, and we love them (even more) for it.
These photos were all found online–if you see any that belong to you and would like me to remove them, please comment to let me know. Enjoy…
Matthews Library Cat at Arizona State University, 1968. Found on Mostly Cats, Mostly.
There are days (or weeks or months…) when the words don’t flow, the story no longer inspires, and it seems like no one cares about your writing, least of all you. Sometimes relentless malaise is a sign that maybe it’s time to reconsider your writing career. But when you have no doubt that writing is where you belong, yet you’re still asking “what’s the point?” maybe what you need are some words of advice and encouragement from others who’ve been where you are. Here’s what ten authors had to say about why you should keep going…
“A professional writer is an amateur who didn’t quit.” -Richard Bach
“I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts.” -Anne Lamott
“Every writer I know has trouble writing.” -Joseph Heller
“Finish the damn book. Nothing else matters. Stop second-guessing yourself and write it through to the end. You don’t know what you have until you’ve finished it. You don’t know how to fix it until it’s all down on the page.” -Lauren Beukes
“A writer is a writer not because she writes well and easily, because she has amazing talent, or because everything she does is golden. A writer is a writer because, even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.” -Junot Diaz
“Writing may or may not be your salvation; it might or might not be your destiny. But that does not matter. What matters right now are the words, one after another. Find the next word. Write it down.” -Neil Gaiman
“I believe myself that a good writer doesn’t really need to be told anything except to keep at it.” -Chenua Achebe
“I think new writers are too worried that it has all been said before. Sure it has, but not by you.” -Asha Dornfest
“Write like it matters, and it will.” Libba Bray
“You fail only if you stop writing.” -Ray Bradbury
Do you have a favourite encouraging quote or words of wisdom of your own? Share in the comments…
Although some insist that independent bookstores are doing just fine, I think it’s safe to say that, for many, keeping the lights on in the last few years has been– and continues to be– a struggle. At a time when people seem to be reading less, and those who do can buy books cheaper and more conveniently at a certain online retailer, indie shops are left in an ongoing precarious position while they try to find new ways to increase (or maintain) sales. I have a suggestion for them: support independently published authors.
Indie authors fall through the cracks with bricks-and-mortar bookstores for a number of reasons. But that doesn’t have to be the case. Seeking out and featuring the works of indie authors is a mutually beneficial– and smart –practice for indie bookstores to adopt. Here are a few reasons why:
When Michelle Obama’s book came out, every bookstore’s website or Facebook page I visited had it plastered front and centre. More recently the same thing happened with Margaret Atwood’s The Testaments. Your store is selling these extremely popular books? Great! So is literally every other store. I’m not saying don’t offer the guaranteed sellers, but what does your store have that others don’t? How about a specially curated section of indie works? If customers are going to go to the trouble of actually visiting a shop, you need to offer something new and interesting and different. Worried indies won’t sell? An informed and engaging staff or a little extra promo can make all the difference.
2. It’s a new revenue stream.
While books may not be anything new for bookstores, indie books and authors are. These are books most customers may not have heard of, simply because the promotion isn’t there for indies. Don’t underestimate the power of introducing something new to customers, or the appeal of an underdog/unconventional author.
Does a famous author live or work in your store’s neighbourhood? No? Chances are an indie author does. Why not connect with your community by supporting the authors in it? Your customers would probably love to know about the talent living down the street. Local authors also provide great opportunities for in-store events and signings.
4. It creates diversity.
The truth is traditional publishing is not known for its openness to diversity. It’s getting better, but the focus still tends to be rather narrow. Many indie authors eschew traditional publishing for that very reason. By supporting indie you’re contributing to much-needed diversity in literature– something customers, especially younger customers, appreciate.
Excluding an entire category of books from your store ensures that not only are you missing out on something fantastic, but so are your customers. It’s impossible to predict what will strike just the right nerve with readers, but the more books your customers can access, the more chances for one to take off. Imagine the bragging rights (and marketing opportunities) when you can say “we loved this author first.”
6. Indie publishing is here to stay.
Indie publishing was the original publishing and it’ll be here long into the future. The truth is, traditional publishing is not serving authors well, which is why so many authors choose to go the indie route. As publishing houses consolidate (or disappear) and publishers care more and more about big names rather than new talent, indie authors will only increase in number. Booksellers can choose to support these authors, or they can be left behind.
7. Authors buy books too.
It’s wise to remember that authors are also potential customers. Any store that carries my books has an instant fan. Not only will I make a point of shopping at that store, but you’d better believe I’ll also tell everyone I know about it. Margaret Atwood might appreciate that you carry her books, but she’ll never encourage anyone to shop at your store.
8. Indie should support indie.
Several indie bookstores offer Love Lies Bleeding online (you can see the list here). As an independent author, I want to promote my fellow indies, so I post about these stores on my website, blog, and social media. But it can get a little cringey when I see indie bookstores asking people to support them, and then turning around and looking down on/ignoring indie authors. If you truly care about indies, you need to support all indies; otherwise, why should anyone support you?
Love Lies Bleeding is a dark fantasy novel about delusion, obsession, and blood. Love Lies Bleeding (ISBN-13: 978-1775012528/ISBN-10: 1775012522) is available in paperback and e-book and can be ordered wholesale from Ingram and other distributors. If you’d like to find out more about my books, click here.
What do you think? Should independent bookstores make a point of supporting independent authors, or should we just stick with the status quo? Share in the comments.
It’s been repeated so many times it’s cliché: write what you know.
But is it true?
Do you agree with William T. Vollmann, who said that you should indeed write what you know, and that you should also have as many experiences as possible in order to expand your knowledge?
Or do you believe Kazuo Ishiguro, who said writing what you know results in writing “a dull autobiography,” and essentially leads authors to stunt their imaginations and potential?
Or maybe you side with Ursula K. Le Guin, who absolutely agreed that you should write what you know, as long as you have a flexible definition of “know” (she happened to know quite a lot about alien planets, dragons, and the distant future).
You might even think Nathan Englander has a good point when he says you should write what you know–emotionally. (This actually is excellent advice–writing about an emotion you’ve never felt might seem like a good idea, but the sentiments will be obviously hollow to readers who have experienced it.)
For me, I think American author Meg Wolitzer sums it up best: write what obsesses you.
And I’ll also add: because writing should be about passion. When I wrote my first novel, what I knew was English Literature, so I wrote literary fiction. And there was nothing wrong with what I produced (I might even still publish it one day), except that the dark, macabre, supernatural things that warmed my geeky heart kept creeping into my early work. Now, it’s perfectly fine for a little para to mix with the normal, but when I realized those were the parts I enjoyed writing (and reading) most, I decided to focus on what obsessed me, starting with vampires, my lifelong fascination. I think my work is better now, and I certainly enjoy it more.
Whether you decide to write about what you know or not, you should always start from a place of passion, obsession, or love. Because if you’re not excited about what you’re writing, why bother?
If you want to see more about what authors have to say on this subject, check out this article on Literary Hub.
If you want to check out some of the dark and macabre things I’ve written (including two FREE stories) click here.
