Weird Habits of Writers

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I read an article about 11 weird habits that all writers can relate to, and I’ve got to admit, they weren’t wrong. Dramatically staring into space while thinking about what my characters will do next? Check. Ending up on security watch lists thanks to my online research? Check. Losing track of time, dates, and reality itself thanks to working from home immersed in a fantasy world of my own creation? Check check.

Reading the list got me thinking about my own odd habits, which I’ve decided to share. After all, as the article points out, writers spend a lot of time alone: why not take a moment to bond over our mutual strangeness?

My Weird Habits as a Writer

Seeking Out Mindless Activities so I Can Think: When my hands are busy but my mind is free to wander, that’s when I come up with some of my best ideas, solve problems with my stories, or mentally write entire passages (my phone is handy–and more likely to be nearby than pen and paper–for getting it all down before I inevitably forget). Mindless activities I recommend: weeding the garden, easy crafts, cleaning the house, ironing…

Telling Myself Stories to Help Me Fall Asleep: I’ve had trouble sleeping my entire life–the one thing that’s almost guaranteed to get me to sleep is telling myself a story in bed. It’s been the same story for a while now, with minor variations. Strangely enough this repetitive storytime actually does help with my writing. Every so often I’ll get an idea for a new character, or notice themes I should explore.

Watching (a lot of) TV: Sometimes it’s background noise that works a lot like any other mindless activity (see above). Sometimes it’s inspiring, giving me ideas to consider. Sometimes it’s instructive, helping me with pacing, or seeing aspects to storytelling that do or don’t work. Sometimes it’s just entertaining, which is also important.

I’ll leave it there, although there are more (so many more). What weird habits do you have as a writer (or in general)? Share your weirdness…

(Note: This is a re-post from 19 February 2018. If you’re looking for something new to read, how about my free short story “Blood Magic”https://www.smashwords.com/books/view/816146 or my novel Love Lies Bleeding, available in paperback and e-book at most online booksellers.)

Cheers,

Aspasía S. Bissas

Reasons to Keep a Writer in Your Home

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I found this on Twitter and I thought I’d share it here too, along with a few additions of my own.

Original Tweet (via @PaperFury):

REASONS TO KEEP A WRITER IN YOUR HOME

• they know weird facts

• they’re low maintenance because all they do is eat and write

• great for midnight chats because they don’t sleep

• if they have to edit they’ll procrastinate by cleaning your whole house

I’ll also add:

  • They almost always come with cats (if you don’t like cats, then you should probably avoid writers in general)
  • Amazing book collection/personal library, which they’ll (most likely) share
  • Will never say no to a cozy night in
  • Lifetime (and then some) supply of pens, paper, and blank notebooks.
  • Always have coffee and/or tea on hand.
  • Will dedicate books to you

Do you know any other reasons to keep a writer nearby? Share in the comments…

Your Inner Critic Is a Liar

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To be a writer is to be in a constant state of worry. Will anyone be interested in my work? Will they like it? What if they don’t like it? The worst is when the worry morphs into criticism and you doubt your own validity as a writer: my book isn’t good, no one will ever read it, I should just quit now. Sometimes it seems as though your inner demons take up as much space in your head as your stories and characters.

I recently read an interesting article on how to mindfully address your inner critic. The author offers some good suggestions, such as waiting the emotions out (they will pass) or agreeing with your inner critic and going forward anyway (for example, you’d say something like: “I should just quit now…and I will go ahead and write another paragraph.”

I often use the agreement technique, only I follow up with “but” instead of “and.” The article says not to use “but” because you’re supposed to be agreeing with the critic, not challenging it. But (see what I did there?) I guess I’m the challenging type because it makes more sense to me, is more reassuring, and, therefore, is more effective. My agreement statement would be more along the lines of : “I should quit now…but what else am I going to do with my life?” Even more challenging is when I go with the ‘agree but don’t care’ method (AKA the stubbornness approach). When I’m in this mood I’ll say something like: “I should just quit now but I like what I’m doing, so who cares what anyone else thinks–I’m going to do it anyway.”

However you deal with your worries or inner critic, the most important thing is to remember that they are liars. Unless you have legit psychic powers (if you do, I have a question about the lottery numbers…), you really don’t know what tomorrow will bring. Just because you don’t see how things could possibly work out doesn’t mean they won’t. Life is funny that way. So go ahead and ignore your inner critic, or tell them off, or sit and have a polite conversation with them–whatever you need to do. As long as you don’t listen to them.

How do you deal with your inner critic? Share in the comments.

And while you’re here, make sure to download my free short story Blood Magic. Myth and magic collide in this story about choices, transformation, and retribution: https://www.smashwords.com/books/view/816146

 

What to Do when Your Plot Falls Apart

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Imagine this: you’ve written the first (or second, or third…) draft of a novel and it’s going well. You’re editing and rewriting at a good pace, happy with your progress. But suddenly the realization hits you that a major plot point of your book is all wrong. For whatever reason a part of your story–maybe even one the entire book hinges on–no longer works. Now what?

This happened to me recently. I wasn’t happy with the ending of my current book and I wasn’t sure why. Then the crushing awareness that it was all wrong and had to go. Not only did I have no idea how to change it, but any changes I did make would have major repercussions for the next book too. Cue the panic.

I think it’s safe to say most writers experience this situation at some point, but if it happens to you it can be disheartening to the point of making you want to give up. If you’re suffering a plot fail, don’t worry. Despite the initial panic and frustration, there are things you can do to help you through it.

Take a Break: It doesn’t need to be a long break. Spend a few hours or a few days focusing on other things. Give your mind a rest from writing while your subconscious keeps thinking about it. Before you know it you’ll be coming up with new ideas and solutions without even trying.

Brainstorm: If the thought of ignoring your writing (even temporarily) stresses you, then brainstorming might be more your style. Try these brainstorming techniques for writers and keep working on the issue until you figure it out.

Think About It: Is there actually a problem with your story? Sometimes writers are convinced their book is terrible when the real issue is anxiety or insecurity. Maybe your plot needs only minor tweaking–or maybe it’s fine as is. Take a deep breath and a step back before considering whether the problem is your plot or your perception.

Talk it Out: Find someone you trust and tell them about it. Explain your concern with what you’ve already written and see what they think. Getting a second (or third) opinion can be really helpful, and sometimes simply saying things out loud is enough to trigger solutions. Don’t forget writers’ groups and forums–they can be invaluable sources of advice and support.

Hire an Editing Service: Editors can do more than check your spelling. Many offer services such as story consultation or manuscript critique. If you’re stuck and nothing else is helping, professional help might be the key.

As for myself, a combination of taking a break, thinking about it, and talking it out helped me overcome my plot issues. My book is still a long way from being done, but at least it’s back on track.

How do you get through when your plot is causing you problems? Share in the comments.

 

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