Is it an X-Ray? The blob? The latest in contemporary art?
It’s the cover for my new short story! Well, it will be the cover when it’s revealed this coming Monday. Stop by to see how it looks, share your thoughts, and get the scoop on my upcoming story. See you then…
According to a BBC article, recent research has confirmed that alone time is good for your concentration, health, and creativity. Is anyone else not remotely surprised? Any introvert can tell you that spending time on your own is a necessity, particularly when it comes to creative pursuits.
As much as I enjoy spending time with friends, I seem to never be able to get any writing done when I do. Even if it’s only for a couple of hours, socializing drains me, leaving no energy to think, let alone create. I’m not advocating for isolation (unless that’s your thing), but the more time I spend being social, the more appealing the hermit lifestyle starts to look.
I’m always a little skeptical of people in creative fields who are extroverts. The extroverts I know are constantly on the run, always social, always busy. When do they find time to create? How do they focus? I’m not saying it’s impossible, but it’s difficult to picture someone coming home from a party and feeling inspired to do anything other than sleep it off.
I’m still trying to find a balance between spending time with the people I care about and getting the necessary solitude I need to create. Sometimes I wish texting counted as socializing, or that I could carry on a conversation while mentally working on a chapter or two. How about you–are you an introvert or extrovert? What helps or hinders your creativity? Share in the comments.
When I was much younger and just beginning to realize that I wanted a future as a writer, I had starry-eyed notions of a major publisher recognizing my talent and jumping to offer me a contract (with a generous advance, of course). Yeah, not so much. Instead I have a pile of rejection letters, mostly of the form variety, some with encouraging words about how my writing is good (just not quite right for them). I had to learn the hard way that being a good writer isn’t enough to get published. In fact, sometimes you don’t even have to be able to write at all as long as you have a big enough name to guarantee sales. Depressing doesn’t even begin to cover it.
A recent article in the Washington Post shares how Madeleine L’Engle and other well-known writers have suffered rejection over their careers. So how to deal with it when it happens to you?
Like L’Engle, stick to your vision. Don’t compromise your work to suit the industry’s sometimes narrow definitions of salable. Your readers are out there, even if your book is genre defying and a little odd (something readers are a lot more open to than publishers).
Like J.K. Rowling, keep persisting. Just because 12 publishers reject your book doesn’t mean 13 won’t be your lucky number.
Like Beatrix Potter, do it yourself. Self publishing has been around a long time and is only getting bigger. When traditional publishers have let you down (or you don’t even want to bother with them in the first place), don’t be afraid to go the indie route (which is what I did with my dark fantasy novel, Love Lies Bleeding).
Whatever you do, don’t let rejections get to you. They are common, they are inevitable, and they don’t reflect the quality of your work or you as a person. Just remember: a good story will find a way.
How do you deal with professional rejection? Share in the comments.
A recent article in Bustle shares research from a new study showing female representation in fiction was better in the Victorian era than now. My instant reaction was disbelief, but as I thought about it, it’s not really that surprising. Based on my own (highly unscientific) experiences and observations, I’ve noticed that:
Publishing jobs tend to be low paying, are overwhelmingly held by women–and the women still almost always get paid less than the men in equivalent positions (more here).
Female writers tend to be taken less seriously than men, and their careers suffer for it. Don’t believe me? See here, here, or here, for just a few examples.
The genres in which women predominate are looked down on (this article discusses genre prejudice in general, but check the #1 and #2 most hated genres listed).
All difficulties are magnified for queer, trans, and POC women writers. For example, they’re largely excluded in genres dominated by straight white women.
Only women and girls seem to face mass derision for their reading preferences. Perhaps you yourself have encountered the hate for Twilight or 50 Shades of Grey. Yes, neither of these are literary masterpieces, but the last time I checked, not every book enjoyed by or written by men is pure gold either. Yet I can’t think of a time when men have been criticized on a mass scale for their fandom of a particular book.